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Painting: The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd

Painting ID: 44030

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Baron Jean-Baptiste Regnault The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd

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Baron Jean-Baptiste Regnault:
Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.

Related Paintings to Baron Jean-Baptiste Regnault :.
| Mary Cassatt2 | Codazzi, Viviano Gargiulo, Domenico-Perspectiva de un anfiteatro romano-220,5 cm x 352,7 cm | Beaumont Hotham, 3rd Baron Hotham by William Salter | Joseph Grimaldi by John Cawse | Edgar Hilaire Germain de Gas130 | | Portrait of Konstantin Balmont. | Seine bei Port Marly, Mit dem Sandhaufen | La cathedrale de Mantes (mk11) | Allegorie des Geizes | Portrait of a Maltese dog |


 


 

 

 

 

 

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Baron Jean-Baptiste Regnault